![]() Satire on the Family and Education in Postwar Japan: Yoshimitsu Morita’s The Family Game (1983)ĩ. The Age-Old Paradox of Innocence and Experience: Köhei Oguri’s Muddy River (1981)Ĩ. Eros, Politics, and Folk Religion: Kaneto Shindö’s Onibaba (1963)ħ. Simple Means for Complex Ends: Yasujirö Ozu’s Floating Weeds (1959)Ħ. Period Film Par Excellence: Hiroshi Inagaki’s Samurai Trilogy (1954–1956)ĥ. A Meiji Novel for the Screen: Shirö Toyoda’s The Mistress (1954)Ĥ. ![]() Dream, Song, and Symbol: Akira Kurosawa’s Drunken Angel (1948)ģ. Synergy of Theme, Style, and Dialogue: Kenji Mizoguchi’s Sisters of the Gion (1936)Ģ. Designed by University of Hawai‘i Press Production Staff Printed by The Maple-Vail Book Manufacturing Groupġ. University of Hawai‘i Press books are printed on acid-free paper and meet the guidelines for permanence and durability of the Council on Library Resources. Includes bibliographical references and index. Reading a Japanese film : cinema in context / Keiko I. Library of Congress Cataloging-in-Publication Data McDonald, Keiko I. © 2006 University of Hawai‘i Press All rights reserved Printed in the United States of America 11 10 09 08 07 06 Reading a Japanese Film Cinema in Context
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